www.youtube.com/watch?v=pqLUws0R_mg

That however didn’t keep me from taking my video camera with me, which I used to make some timelapse recordings. Here is a nice cross-cut of fleeing clouds and a sunset, recorded over two days, each roughly 8 hours. It’s called “Mediterranean Timelapse”. Enjoy the sun.

www.youtube.com/watch?v=jfuS9eQfUts

Music by Zeropage (CC- by, via Jamendo)

+++

After that short excursion, it was five o’clock - time to leave. We went back to the bus, where Tanya had fun harassing Yuriy and the driver with feedback noises from the walkie-talkies:

Sound: Walkie Talkie Feedback Galore!

We picked up Laura and René (who had lost their way in Pripyat, but found back to the main street), and drove back to Chernobyl. The last location we visited before returning to the research station was the old shipyard north of Chernobyl. The rusty boats looked beautiful in the evening sunlight. It was hard to find a good spot to shoot them without having tree branches in the way, but it was a worthwhile location to visit at the end.

At the InterInform station we settled the bill, and Yuriy showed us a couple of radiation maps on the walls. After that, we said goodbye to him and Tanya (they were staying in the zone), and drove off south.

Contamination Control

The drive was very quiet, as most of us fell asleep from exhaustion. Half an hour later we arrived at the 30km checkpoint. All of us had to leave the van and walk through a door into a small building next to the gate. We entered a large, green painted room which was divided by what looked like subway security doors: It was the contamination checkpoint. To pass it, we had to put our feet on predefined spots, put our hands into metal boxes, and were scanned from head to toe. If you were clean, the light would turn green and the gate would open. If not, well… we were lucky we didn’t find out what would happen then. The process was fully automatic, impersonal, and looked like it was adopted straight from Half-Life‘s “City 17“.

www.youtube.com/watch?v=GRQLzv_hmFM

My own radiation check consisted of statistics derived from my own Geiger counter. Here is what it showed:

My total radiation dosis was 3.21 + 1.9 = 5.11 uSv. That’s the equivalent of half a dosis you get from a dental x-ray. We received a multiple of that dosis from cosmic rays, travelling by plane. Of course, that’s Gamma radiation only; we don’t know what we breathed in, especially when the Pripyat ghost trucks were close.

Memories for a Lifetime

It was around eight o’clock when we arrived at the apartment. We got out of our dusty clothes, threw away our shoes, showered thoroughly, got some Italian food and spent the evening in a Kyiv live music club and at home with a bottle of Riga Balzams. It was four o’clock in the morning when we finally went to bed.

So ended our trip to Chernobyl and Pripyat. I have seen a couple of strange places in my 7 years of urban exploration: Abandoned psychiatric hospitals, coloring plants full of chemical residues, half-burnt schools and cathedral-like breweries; but nothing comes close to Pripyat. It is a truly abandoned city, the remaining memory of a place once called home by 50 000 Soviet citizens. I still have dreams about the place, its unsettling quiet and absence of life, the beeping of my Geiger counter, the passport pictures of Pripyat school children, and the ever-present radiation.

After the trip, René told me I looked like I had reached the end of my rainbow there. Maybe I did. It’s a lonely place, and the pot of gold is bitter. Maybe I will go back one day. But then, I will speak Russian.

:: The End ::

+++

Leaving the docks, I went on to the cinema/theater complex to the north. In front of it must have been a large gathering area, probably with fountains, which was now a collection of concrete plates with yellow grass between them. On the side of the cinema, there was a large red-and-blue Soviet mosaic on the wall. Unfortunately, the lighting inside the cinema was almost absent, and I couldn’t get a good shot of the projection room (Beat has a picture of the room, I don’t know how long he had to expose in there!). Not surprisingly, its closed nature made the cinema one of the spots in Pripyat with the lowest radiation levels I had measured (<0.1 uSv/h, lower than my living room).

More rewarding was the theatre at the back end of the cinema, featuring another grand entrance. It was a two-story building with an unusual amount of rooms in it. I assumed that parts of it also featured as a restaurant or café, but we found out later that it was also used as a musical school. On the ground floor was a medium-sized theater stage - not as big as the one behind the Palace of Culture, but it had a grand piano standing on it. I had to cross the (unstable) stage because the floor in front of it was impassible, and found out that only 4 of its keys still worked - enough for some scary audio recordings. Another grand piano was lying open on its side in a white, dusty room on the second floor.

[Listen to sounds of a Pripyat Piano]

The last building in Pripyat’s northeast I visited was a community center, which was a two-story building for Pripyat service providers (for example hairdressers or pharmacies). The top floor had a number of rooms with large (but mostly broken) mirrors. In one of the cupboards I found old holiday decorations - probably last used in December 1985.

Photo Albums

Album: Cinema & Theater

Album: Community Center

Video: Port & Theater

Another short video, showing Pripyat port from part ten of the journal, and the inside of the theater and music school.

www.youtube.com/watch?v=8xmDodebXdA

Map for this Journal Entry

The Chernobyl Journal continues in part 12 with a trip to the Pripyat fire and militia stations.

+++

After wandering around the hospital for two hours, I went back to the van, where our InterInform colleagues were waiting (the driver was busy playing handheld video games). I discovered some radioactive hot spots in the moss before the clinic which Yuriy confirmed with his Geiger counter. He then offered to show us “school #1″, another large complex just opposite of the hospital.

School #1 was falling apart; its west wing had succumbed to the elements and reduced to a pile of rubble a couple of years ago. This meant we had to be extra careful which rooms to enter and which floors to walk on.

We entered through a large dining hall leading into the main entrance hall. Old posters and bulletin boards hung on the walls. A long corridor used to be the school’s wardrobe, a maze of teal-colored metal skeletons; on the muddy floor, boxes full of children’s gas masks. As René, Laura and I walked through the corridor, we heard a piece of rock falling down from the wall, and shortly after that, another one. Not a safe place to stay.

Communist Sports, Arts and Crafts

I ventured off into another corner of the school and found the gym, which was littered with deflated sports balls. Out through the door, I walked across the schoolyard, entered another building and began exploring the upper floors. I came across a couple of well-preserved classrooms, some of which must have featured in Robert Polidori‘s amazing “Zones of Exclusion” photo book. In some rooms, the floor was littered with books and almost impassible.

There were a lot of class projects, such as a collage of historical figures, and a huge number of communist illustrations (some of them obviously arranged by previous visitors). A very sad detail I found in one of the classrooms was a class wall, where black-and-white 1980s passport pictures of schoolchildren were arranged in circles. Many of the pictures had fallen off or were in very bad shape.

The Greenhouse

While the rest of the crew was still exploring the school, I walked around it. The floor was overgrown with moss and yellow grass, and the whole area around the school felt incomplete, as if the place hadn’t found its peace. In front of the school, I found an small glass building which turned out to be the school’s greenhouse. I managed to enter it, but couldn’t cross it, so dense were the plants inside.

Photo Albums: School and School Greenhouse

School #1 (Album)

Greenhouse (Album)

Video: School Number One

A video about the school and the greenhouse. Features some details not seen in the photos above.

www.youtube.com/watch?v=Aix5EehrAjw

Map for this Journal Entry

The Chernobyl Journal will continue next week with my favorite spot in Pripyat, the port.

Pecha Kucha Daily has a nice overview with event photos about the evening.

I’m especially pleased with the great review the Tagesanzeiger, one of Switzerland’s biggest newspapers, wrote about the event and my presentation:

“He shows what probably no one in the audience – around 100 people – has ever seen: A deserted classroom, children’s respirators, an amusement park that was never used, the totally irradiated forest – everything in close proximity to the decomissioned reactor, deserted, in unbelievably warm colors, and at the same time icy cold in its mood. Suess manages to distract even the chatterers at the back of the room and make a big impact with his entertaining performance.” (translated from German)

If you haven’t seen the slide deck, here it is.

The next event is on October 22nd, again in “Unternehmen Mitte” in Basel. Put it in your calendars!

+++

We spent most of the rest of the day in Pripyat’s north-east. The old Pripyat hospital was one of the biggest and most rewarding locations we visited. It consisted of five large buildings, about 6 stories high, all interconnected. The layout was rectangular so that one large corridor with rooms to each side lead through the whole length, flanked by two staircases at the side. In the middle of the buildings were open entrance areas, which seemed to have been used as common rooms or receptions. Almost every room was filled with medical equipment, from beds, cupboards, medicine bottles, autoclaves to whole operation rooms.

Visiting abandoned hospitals, hotels, schools or office complexes is very different from visiting abandoned factories. While factories’ layouts are vast and irregular, hospitals, schools, and such have similar layouts on every floor. Every floor however has certain differences - some subtle, such as different shades of corridor colors - some extreme, such as one floor being clean and empty while the one above is flooded or burned. Moving from floor to floor feels like moving through alternate realities, histories or personalities of the same space. There is also something unsettling, remotely nightmarish about the repetitiveness and drawn-out perspective of long corridors, which speaks a strange dialect of claustrophobia.

Maternity Ward

One of the areas in the hospital I spent a lot of time in was the maternity ward. The rusty-white baby cribs standing in a paint-shedding room under observation of two lonely chairs were a sight both sad and peaceful, as opposed to the twisted ob/gyn chair in the room next to them (somebody had even put one of the chairs outside in front of the entrance, which felt artificial and unnecessary). Other floors were largely flooded and still icy from the cold temperatures. Another interesting hospital area was the clinic behind the main building. Each window bore a different symbol related to science - physics, chemistry, biology, botanics, through which the sun shone and cast interesting shadows on the floor.

After a while of wandering around the hospital, René called me and offered me a great view from the roof. I went up to the top floor, climbed up the rusty ladder, and found René and Laura at the other end of the roof - celebrating the zone with a champagne bottle. During their stay, the two must have climbed on eight or more Pripyat roofs - a record possibly broken only by looters. I couldn’t refuse a sip, and drinking champagne on an abandoned hospital roof with the Chernobyl reactor visible on the horizon became one of the bizarre highlights of the trip.

Photo Album: Pripyat Hospital

Pripyat Hospital (Album)

Video: Pripyat Hospital

www.youtube.com/watch?v=fN3lb62Q6mw

Map for this Journal Entry

(Chernobyl Journal continues in part nine with a trip to partly destroyed Pripyat school)

+++

We waited for half an hour for Yuriy to come back - he had gone to the security perimeter to report the looters - until we took up Tanya’s offer of quickly going to “school #2″. The school, one of Pripyat’s seven schools, was supposed to be south of Lenin square. We followed her through the woods around old apartment blocks, came across an old electronics store with lots of old TVs, but didn’t find the school.

TV Shop (Album)

The driver picked us up on Lenin square (Yuriy was still gone) and drove us north to the old public swimming pool. It was a fantastic location featuring a great, multilayered pool hall with a big jump tower. Its roof was angled upwards, and the evening sun tinted the hall in a warm yellow through the enormous windows, which contrasted its otherwise blue hue. The pool itself was about 5 meters deep, its floor full of rubble, insulation material and remains of plastic chairs. The building also contained a gym hall with wooden floors.

Swimming Pool (Album)

Just next to the pool was “school #3″, a huge complex of two buildings full of classrooms and halls. Its entrance was barely accessible, it was so overgrown. In one of the classrooms I found an old school project about traditional clothing, pinned up on a wooden board. In the dining hall we found a large number of childrens’ respirators on the floor, their empty eyes staring at the paint chips in the ceiling like little grey elephant heads. It was an eerie teaser for the school we would see the next day.

School #3 (Album)

We spent an hour around the pool and school #3. But the lights was getting dim, and Yuriy was back too, so it was time to head home to Chernobyl before the mutants came out of the sewers.

After a stopover at the Chernoshop (an unspectacular room in a white building, mostly containing alcohol shelves and people in blue or green uniforms), we got back to the InterInform agency building. There, we checked our hands and feet for contamination (Beat had a little scare because the machine didn’t work when he used it), thoroughly washed our hands, and went to dinner. It was good Ukrainian food - lots of vegetables, along with rather fatty (but nevertheless tasty) meat. Unfortunately, it drove my stomach into further culinary culture shock, and I spent the night hugging the toilet bowl of my hotel room, while the rest of the troupe checked out the local Chernobar.

This is not the end, only the end of the first day. Stay tuned for day two.

Video: Small Contamination Control

www.youtube.com/watch?v=-HYgK5i-8TE

Map of this Journal Entry

Chernobyl Journal continues in part seven.

+++

Because of our group member’s different paces and interests, we were rarely at the same spot at the same time (which helped to keep people out of your pictures). At the Palace of Culture however, we all got together again. And while René and Laura were busy rising a new FC Pripyat from the ashes of the gym, and Beat was still looking for good spots to shoot, I got into a conversation with our guide who was standing in front of the van, waiting for us.

Theater

I asked Yuriy about the higher level of radiation I had measured on patches of moss. He offered to show me some, and led me around the Palace of Culture, where he first showed me a room full of Communist party member portraits. It was also the back entrance to a huge theater stage, which unfortunately was too dark to shoot. We then moved on to the Pripyat amusement park where the big ferris wheel, the bumper car and two other rides stood lonely on a large, flat field of asphalt. Yuriy showed me some radioactive moss while Beat, who had joined us, and I took some of the obvious shots around the area.

Half an hour later my phone was ringing. It was Laura, asking me where we were. Tanya had assumed that Yuriy had already driven us to the next location, and had led Laura and René west. I was worried, because the zone is not a place you want your friends to wander around without an expert on radiation. After telling Yuriy that the others where the others were waiting, he shook his head in disbelief: “I’ll be back in 10 minutes…”, he muttered and drove off, leaving Beat, myself, and the joyrides alone.

Ferris Wheel

The amusement park was an unsettling place. The ferris wheel loomed underneath a cloud-scattered sky and every few minutes gave off guttural creaking noises. The radiation levels were about 40 times as high as normal (4 uSv/h) - not extreme, but elevated, especially if you stood on the patches moss or got close to the bumper cars. Some of the trees looked strangely deformed, spreading sideways instead of skywards. The constantly beeping sound of the Geiger counter slowly got under my skin as I started to realize how constant and inevitable the radiation and all its associated risks around me were.  According to René’s translation of Tanya’s theory, there are two kinds of people in the zone: “radiophobes” and “radioenthusiasts”. And while Yuriy and Tanya both were obvious radioenthusiasts, I was starting to feel signs of an emerging radiophobia.

When the van came back, René, Laura and Tanya got out. Then the van drove off again. René explained to us that  they had walked west shooting pictures, waiting for us. After our phone call, they were picked up by a visibly worried Yuriy. And just after they had climbed in the van, a group of 5 big, unfriendly-looking guys were turning the corner - apparently looters on the lookout for valuables. René quoted Yuriy’s scolding: “Can you stab? Can you shoot? No? Then why the hell do you go there alone?”.

They were lucky. Apparently, the zone is a dangerous place for other reasons than just radiation.

Photo Album: Around the Amusement Park

Album: Around the Amusement Park

Video, covering journal entries #4 and 5:

www.youtube.com/watch?v=ghhu7M7VUjY

Map of this Journal Entry

(Chernobyl Journal continues in part six)

+++

Before going to the ghost city of Pripyat, our guide had some additional stops planned: Right and left in the empty fields small warning signs appeared, bearing the yellow and red sign of radioactive contamination. We were passing the highly contaminated Red Forest area west of the reactor. In 1986, all the trees were set ablaze by the accident - hence the name, Red Forest - and have later been buried in plastic wrap at special sites to protect the ground water. Once full of trees, Red Forest it is now a brown, bumpy landscape full of uncut grass.

The average radiation level in the field is around 50 uSv/h (300-500 times higher than normal) with pockets of up to 10 000 (50 000 - 100 000 times higher than normal). That’s where we stopped and got out of the car.

Yuriy demonstrated the difference in radiation strength by measuring the levels on the asphalt versus the grass and cautioned us to stay on the road. In the distance, we could see the “flame” monument - a big torch - which had been placed there a couple of years before the accident. Right next to the road, an old railway track curved west towards Pripyat’s old train station. The beautiful weather and the wide landscapes stood in stark contrast to the knowledge of how poisonous the ground was. It reminded me of the scene Tarkovsky’s Stalker when the three friends arrive in the zone, looking at a lush green landscape, knowing it to be dangerous - but not where. We drove on.

The next stop was the famous “Pripyat 1970″ city sign, a fabulous white piece of retro design which underlined the total absence of life around it. Below it, fresh condolence flowers. The clouds in the background provided a dramatic backdrop against the blue March sky. We then drove further to the old railway bridge near the Pripyat train station, where we photographed the power plant in the far distance and some abandoned trains (unfortunately, we couldn’t get closer to the train station itself, as it is nowadays used to store contaminated material).

While standing on the narrow bridge, a big open truck passed us by, shaking the ground beneath our feet. During our stay in the zone, we saw a couple of those transporters, bearing contaminated material to burial sites, and dragging a cloud of unhealthy dust after them (we didn’t know that on the bridge). Later, when we saw them roaring through the city center, we started calling them “ghost trucks”, as we never saw the drivers. They were among the most spooky appearances in the zone.

Red Forest (Album)

Entering Pripyat

At the city entrance, we passed the third and last security check, after which we were finally in Pripyat. Driving north, we passed the main road along old Soviet apartment blocks, hard to make out through the thicket, interspersed with occasional shops whose lightbulb-studded signs made them look like 1970s arcade saloons. The lack of knowledge of the Cyrillic alphabet makes any kind of signage abstract; it’s like reading a text in a dream - you can almost make out what it means, but not enough to make sense. In the case of the Pripyat shops, the combination of not being able to read the letters and the strange graphic design made it impossible for me to put them into context - they looked as if aliens had built miniature versions of Las Vegas casinos.

A couple of minutes later we arrived in the heart of the city: Lenin square in the middle of Pripyat, where two of the main city axes cross. To the north, the Palace of Culture with the arched walkway and its white columns. To the west, the big restaurant and the market and the highrise of the Voskhod building with its hammer and sickle insignia on top. To the east, Pripyat’s Hotel Polissya. The four of us wandered off in different directions with strict instructions of not entering any buildings yet. I dared a little excursion behind the hotel, where I discovered an interesting round structure and a couple of Soviet posters. I also got the first exciting glimpses of the ferris wheel behind the Palace of Culture.

Lenin Square (Album)

Video: Red Forest & Lenin Square

Another short video of the trip, covering the journal entry above:

www.youtube.com/watch?v=4GhWkUGlAS0

Map of this Journal Entry

(Chernobyl Journal is continued in part 4)