The full set is here (new images will be added as the set grows)

Underneath the hangar roofs, among nooks and crannies, a labyrinth of train tracks spread thinly, guiding yet confusing, watched over by knowing symbols.

Slowly, daylight creeped in, and revealed a myriad of structures, some curious, some threatening, all of them alien.

In the gorges of containers we walked, multicolored steel valleys full of cargo. The crane moaned and hissed as we passed it by.

And on the horizon, the wilderness of industry, the drums and spheres of containment, steam against the sky.

View the whole set:

My topic this time was “Decadimento – Italian Decay”, where I presented urbex four locations from Northern Italy. Each of these places has its own history which I will explain another time with a full set. Enjoy!

Like skeletal structures, welcoming us to enter them, we found the large halls where once workers stacked bricks in neat rows to dry them. The long shadows pointed east, while resting on old transport machinery.

Inside the factory, the deep, cool, and somewhat scary corridors of the ovens known as ‘kiln’. We didn’t enter them, trusting that the light wasn’t strong enough to fight the sleeping ogres hidden inside.

Up the stairs, atop the kiln, a wide desert of brick dust, occasionally broken by humble columns, symmetric compartments and rows of valves, like toddlers in blue and yellow overalls. Fields of regular, rusty, hat-shaped ventilation shafts.

Next to the brickworks, a beautiful old villa, overgrown by a jungle of precious garden plants. It must have been the residence of the owner and his family.

Finally, on our way back to the car, a sturdy little plant, triumphant in her conquest over a man-made thing, looked up from her sunbath, and waved us good-bye.

And here is the full gallery:

More…

I really like Imagekind: The service allows you to pick the size, paper, canvas and frame of your print, the quality is really good, and they offer a 30-day money back guarantee. So far, I have used them for all my exhibitions and have never been disappointed.

In my shop, you can find 56 of my Chernobyl pictures, as well as 4 prints from the Autumn Leaves and 5 of the Corridor Country series. Check it out and let me know if you miss anything!

PS: If you want exhibition quality, I recommend Hahnemühle Fine Art Pearl and Hahnemühle Photo Rag papers.

Among the loads of feedback I received, one request consistently came up: Wallpapers. You want wallpapers. So here you go: I’ve prepared 4 pictures in various wallpaper formats for your desktops. These will probably not the only ones – if you have any special requests, let me know.

Radioactive Sign: 1024 x 768 - 1280 x 800 – 1440 x 900 – 1680 x 1200 – 1950 x 1200

Star: 1024 x 768 – 1280 x 800 – 1440 x 900 – 1680 x 1200 – 1950 x 1200

Gasmask Floor: 1024 x 768 – 1280 x 800 – 1440 x 900 – 1680 x 1200 – 1950 x 1200

Cooling Towers: 1024 x 768 – 1280 x 800 – 1440 x 900 – 1680 x 1200 – 1950 x 1200

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After that short excursion, it was five o’clock – time to leave. We went back to the bus, where Tanya had fun harassing Yuriy and the driver with feedback noises from the walkie-talkies:

Sound: Walkie Talkie Feedback Galore!

We picked up Laura and René (who had lost their way in Pripyat, but found back to the main street), and drove back to Chernobyl. The last location we visited before returning to the research station was the old shipyard north of Chernobyl. The rusty boats looked beautiful in the evening sunlight. It was hard to find a good spot to shoot them without having tree branches in the way, but it was a worthwhile location to visit at the end.

At the InterInform station we settled the bill, and Yuriy showed us a couple of radiation maps on the walls. After that, we said goodbye to him and Tanya (they were staying in the zone), and drove off south.

Contamination Control

The drive was very quiet, as most of us fell asleep from exhaustion. Half an hour later we arrived at the 30km checkpoint. All of us had to leave the van and walk through a door into a small building next to the gate. We entered a large, green painted room which was divided by what looked like subway security doors: It was the contamination checkpoint. To pass it, we had to put our feet on predefined spots, put our hands into metal boxes, and were scanned from head to toe. If you were clean, the light would turn green and the gate would open. If not, well… we were lucky we didn’t find out what would happen then. The process was fully automatic, impersonal, and looked like it was adopted straight from Half-Life‘s “City 17“.

http://www.youtube.com/watch?v=GRQLzv_hmFM

My own radiation check consisted of statistics derived from my own Geiger counter. Here is what it showed:

My total radiation dosis was 3.21 + 1.9 = 5.11 uSv. That’s the equivalent of half a dosis you get from a dental x-ray. We received a multiple of that dosis from cosmic rays, travelling by plane. Of course, that’s Gamma radiation only; we don’t know what we breathed in, especially when the Pripyat ghost trucks were close.

Memories for a Lifetime

It was around eight o’clock when we arrived at the apartment. We got out of our dusty clothes, threw away our shoes, showered thoroughly, got some Italian food and spent the evening in a Kyiv live music club and at home with a bottle of Riga Balzams. It was four o’clock in the morning when we finally went to bed.

So ended our trip to Chernobyl and Pripyat. I have seen a couple of strange places in my 7 years of urban exploration: Abandoned psychiatric hospitals, coloring plants full of chemical residues, half-burnt schools and cathedral-like breweries; but nothing comes close to Pripyat. It is a truly abandoned city, the remaining memory of a place once called home by 50 000 Soviet citizens. I still have dreams about the place, its unsettling quiet and absence of life, the beeping of my Geiger counter, the passport pictures of Pripyat school children, and the ever-present radiation.

After the trip, René told me I looked like I had reached the end of my rainbow there. Maybe I did. It’s a lonely place, and the pot of gold is bitter. Maybe I will go back one day. But then, I will speak Russian.

:: The End ::

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Beat and I re-grouped at the van and took a break. A quick phone call to Laura and René revealed that they were still exploring Pripyat roofs, so we asked Yuriy if he could take us to the old fire station in the southwest for half an hour. The station was nothing special – a large hall for the (absent) fire trucks and some adjacent common rooms (one of them full of soft drink bottles).

On the other side of the road however was a much more interesting site: Pripyat’s old militia station, which was full of old vehicles: Cars, buses, trucks, dredgers, even a small tank BRDM-2D combat vehicle. There were further vehicles on top of the militia building, and I still have no idea how they got up there. I was initially worried that the radiation around those vehicles would be very high, as metal absorbs radioactivity better, but it wasn’t. This meant that they hadn’t been used during the accident, and all of those vehicles had been moved to the old junkyard at the border of the zone.

Photo Albums

Album: Fire Station

Album: Militia Station

Map for this Journal Entry

The Chernobyl Journal will conclude next week.

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Leaving the docks, I went on to the cinema/theater complex to the north. In front of it must have been a large gathering area, probably with fountains, which was now a collection of concrete plates with yellow grass between them. On the side of the cinema, there was a large red-and-blue Soviet mosaic on the wall. Unfortunately, the lighting inside the cinema was almost absent, and I couldn’t get a good shot of the projection room (Beat has a picture of the room, I don’t know how long he had to expose in there!). Not surprisingly, its closed nature made the cinema one of the spots in Pripyat with the lowest radiation levels I had measured (<0.1 uSv/h, lower than my living room).

More rewarding was the theatre at the back end of the cinema, featuring another grand entrance. It was a two-story building with an unusual amount of rooms in it. I assumed that parts of it also featured as a restaurant or café, but we found out later that it was also used as a musical school. On the ground floor was a medium-sized theater stage – not as big as the one behind the Palace of Culture, but it had a grand piano standing on it. I had to cross the (unstable) stage because the floor in front of it was impassible, and found out that only 4 of its keys still worked – enough for some scary audio recordings. Another grand piano was lying open on its side in a white, dusty room on the second floor.

[Listen to sounds of a Pripyat Piano]

The last building in Pripyat’s northeast I visited was a community center, which was a two-story building for Pripyat service providers (for example hairdressers or pharmacies). The top floor had a number of rooms with large (but mostly broken) mirrors. In one of the cupboards I found old holiday decorations – probably last used in December 1985.

Photo Albums

Album: Cinema & Theater

Album: Community Center

Video: Port & Theater

Another short video, showing Pripyat port from part ten of the journal, and the inside of the theater and music school.

http://www.youtube.com/watch?v=8xmDodebXdA

Map for this Journal Entry

The Chernobyl Journal continues in part 12 with a trip to the Pripyat fire and militia stations.